Stalker (1979) Essay 3
As a filmic adaptation of Boris and Arkady Strugatsky's 1972 novel Roadside Picnic, Tarkovsky's Stalker (1979) carries the viewer via philosophical drama into what is known as the “Zone”. Although directly taken from the novel, Stalker does not provide any exegesis on the origin of the Zone itself and we are left grasping to understand [...]