The stories we tell ourselves: Exploring the power of cultural conspiracy in Tarkovsky’s “Stalker”
When Andrei Tarkovsky’s last Russian-made film opens, viewers are transported to a haunting post-apocalyptic sepia-toned wasteland, sometime after a meteor crashes into Earth. In its wake: the mysterious creation of a vivid, colorful patch of wilderness everyone calls The Zone. With its perimeter heavily controlled by the military, The Zone is a seldom-visited place of [...]